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Christian art and symbolism --- Art, Flemish --- Art, Baroque --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Flemish art --- Exhibitions --- Iconography
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The symbolism of medieval churches : An Introduction explores the ways in which the medieval church building and key features of it were used as symbols, particularly to represent different relationships within the Church and the virtues of the Christian life. This book introduces the reader to the definition, form, and use of medieval symbols, and the significance that they held and still hold for some people, exploring the context in which church symbolism developed, and examining the major influences that shaped it. Among the topics discussed are allegory, typology, moral interpretation, and anagogy. Further chapters also consider the work of key figures, including Hugh and Richard of St Victor and Abbot Suger at St-Denis. Finally, the book contrasts the Eastern world with the Western world, taking a look at the late Middle Ages and what happened to church symbolism once Aristotle had ousted Plato from the schools.
Church architecture --- Symbolism in architecture --- Christian art and symbolism --- Architecture, Medieval. --- Religious architecture --- symbolism [artistic concept] --- churches [buildings] --- anno 500-1499 --- Europe --- Architecture, Medieval --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Architectural symbolism --- Signs and symbols in architecture --- Architecture --- Middle Ages
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After the Reformation the successful painter Paul Lautensack (1477/78-1558) dedicated himself to spreading revelations on the nature of God. Lautensack was besides Dürer the only German artist who wrote against the iconoclasts, and he believed that he as a painter could explain the images of Revelation better than theologians like Luther. He presented his insights in hundreds of highly sophisticated diagrams that display a wide range of material accessible to an urban craftsman, from the vernacular Bible to calendar illustrations. This study is the first monograph on this extraordinary man, it presents a corpus of his surviving works, analyzes his peculiar theology of the image and locates the elements of his diagrams in the visual world of the Reformation period.
Christian art and symbolism --- Image (Theology) --- Communication --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Religious aspects --- Christianity --- Lautensack, Paul, --- Criticism and interpretation. --- 091 LAUTENSACK, PAUL --- 741 LAUTENSACK, PAUL --- Handschriftenkunde. Handschriftencatalogi--LAUTENSACK, PAUL --- Tekenkunst--LAUTENSACK, PAUL --- Drawing --- diagrams --- Reformation --- Lautensack, Paul
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Christian religion --- Iconography --- Christianity --- God --- Christian art and symbolism --- Painting --- Faith in art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Themes, motives --- Subjects --- 246 --- 246 Art et symbolisme chretiens --- 246 Christelijke kunst en symbolisme --- Art et symbolisme chretiens --- Christelijke kunst en symbolisme --- Christelijke kunst
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Christian art and symbolism --- 246 <03> --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Dictionaries&delete& --- German --- Christelijke kunst en symbolisme--Naslagwerken. Referentiewerken --- Christian religion --- Art --- Dictionaries --- kunst en godsdienst
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Sculpture --- Painting --- Religious architecture --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- Nuremberg --- Exhibitions --- Neurenberg, Klarakirche --- Art, Late Gothic --- Christian art and symbolism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Art, Gothic --- Late Gothic art --- Art, Medieval --- Late Gothic --- Klarakirche (Nuremberg, Germany) --- St. Klarakirche (Nuremberg, Germany) --- Symbolism in art
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Painting --- anno 1400-1499 --- anno 1500-1599 --- Liege --- Flanders --- schilderkunst --- musea (Luik) --- 15de eeuw --- 16de eeuw --- Luik --- Christian art and symbolism --- Panel painting, Netherlandish --- Panel painting --- Netherlandish panel painting --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Peinture flamande --- Peinture de la Renaissance --- Belgium --- Liège (Belgium) --- History --- 15th century --- Catalogs --- 16th century --- Symbolism in art --- Early Netherlandish --- schilderkunst. --- musea (Luik). --- museumcollecties. --- 15de eeuw. --- 16de eeuw. --- Luik. --- museumcollecties
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How did religion colour daily life in the Italian Renaissance home? Peering into the privacy of family rites of passage - childbirth, marriage, and death - the authors expose patterns of piety that helped individuals to confront both the dangers and delights of everyday life, using such material objects as books, artworks, jewellery, and relics
Christian church history --- History of Italy --- anno 1400-1499 --- anno 1500-1599 --- Christian special devotions --- devotional images [religious works] --- devotional objects --- Christian life --- Households --- History --- Religious aspects. --- Italy --- Church history --- Foyer --- Famille --- Vie chrétienne --- Aspect religieux --- Église catholique --- Christian art and symbolism --- Families --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Religious life and customs. --- Intellectual life
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Cardinals in art --- Christian art and symbolism --- Devil in art --- Fools and jesters in art --- Grotesque in art --- Medals, Religious --- Popes in art --- Medals --- Devil --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Themes, motives --- Iconography --- History of civilization --- political cartoons --- pamphlets --- creatures --- caricatures --- popes --- groteske fysionomie
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Art, German --- Christian art and symbolism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- German art --- Fels (Group of artists) --- Gruppe 1950 (Group of artists) --- HobbypopMUSEUM (Group of artists) --- Kooperative Kunst (Group of artists) --- Kugel (Group of artists) --- Lücke (Group of artists) --- Art --- anno 900-999 --- anno 1000-1099 --- anno 1200-1499 --- anno 1100-1199 --- anno 1500-1799 --- anno 1800-1899 --- Bavaria
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